Adobe Premiere, part of the Adobe Creative Cloud package, is a powerful timeline-based video editing software application. This sophisticated editing platform is considered to be an industry standard, and is used worldwide by professionals to edit video footage.
Premiere is a good choice for video editing because it is user-friendly, it supports high resolution video and integrates easily with other creative suite applications like Audition and After Effects. Premiere is used to import, edit, and export video projects.
This manual provides a basic introduction to the Premiere interface and explores commonly used features needed to create a simple video. After reviewing this manual and activities, we encourage students to learn about more advanced features either through 1-on-1 support or through LinkedIn Learning (all UW-Madison students get free access).
Note:The Home window will show your most recent projects you have been working on. If this is your first time opening Adobe Premiere, you will not see any past projects appear.
Adobe Premiere now offers the option to create a "Team Project", where different users can edit the same project across different computers. However, at this time, the process to use this feature is not as seamless as it sounds and requires quite a bit of set-up before-hand. If you are interested in this, you can view this YouTube video that explains the details of setting up your workspace for this purpose: What are Premiere Pro Team Projects? (2023 Update and Guide)
Open Adobe Premiere and click on the blue "New Project" button. You will be taken to the "Import" section.
Update the “Project Name” and "Project Location". If your video is for a class project, follow any naming guides your instructor has provided. Change the location to a folder on your computer that you can easily find later if needed.
TIP: It is always good practice to create a new folder within your Documents Folder or Desktop for each video project you create in order to keep things organized (here you can save your video
Import videos that you want to immediately include in your project by locating them within the folders on the side panel and select the folder(s) or file(s) you want. You can choose to import video, audio, or even image files to your project. You can also import media after initially creating a new project.
Import Settings can be left as the default unless you have specific guidance on how to change these settings.
Click the blue Create button to enter Edit mode.
Project Panel: The Project Panel can be found on the bottom left of the interface, directly below the Source Panel and next to the Timeline. This is where all your media files are stored after they have been imported, along with copies of your sequences.
Timeline: The Timeline can be found on the bottom the interface, between the Tools Panel and Audio Meter. This is where a "Sequence" is opened and all of the editing takes place! The Timeline is composed of two sections: Video Tracks and Audio Tracks. These Tracks allow us to "layer" videos, titles, graphics, and/or audio clips to create a more dynamic project. Your Timeline Marker (blue line) will indicate what appears in the Program Monitor.
Program Monitor: The Program Monitor can be found in the top right corner of the interface. This areas gives you a preview of what your final project will look like as you are working on it. When you play your project from your Timeline, the video is displayed here.
Source Monitor: The Source Monitor is in the top left corner of the interface. This is where you can preview files from the Project Panel and/or trim clips before adding them to the Timeline.
Tools Panel: The Tools Panel is directly to the left of your Timeline. This is where you can access all of the different tools in Premiere. The most commonly used tools are the Selection Tool, Razor Tool, and Type Tool.
Audio Meter: The Audio Meter is directly to the right of your Timeline. When a clip is played on the Timeline, the levels in the audio meters will move to show your decibel levels (dB). It is good practice to keep your audio levels between -6 and -12 decibels (db).
This manual focuses on the "Learning" workspace (this is the default workspace when you first open Premiere). Different Workspaces prioritize different windows and menus most useful for the kind of work or effect you want to focus on. You can change to a different Workspace by clicking on the Workspaces icon (from the upper-right corner).
Did you accidently move a window panel? Don't worry! You can easily go back to the original settings from the "Workspaces" menu. Click on the "Workspaces" icon (the first icon from the upper-right corner) and from the list, select "Reset to saved layout".
Now all of your monitors will go back to the default sizes and positions.
If a panel is too large or too small, you can resize it by dragging the edges.
Importing media into Premiere does not mean you are actually bringing the media into your project file, but rather you are pointing to where the media lives within your computer. Because of this, if you plan to use media stored in an SD card, always remember to copy the media to a folder on your computer first and import from that folder instead of importing directly from the SD Card. Otherwise, the moment you remove the SD card, your Premiere project will not be able to locate your original files.
Find your media within Finder or File Explorer and drag and drop files directly to the Timeline to edit immediately OR Project Panel to access later.
If you are having issues with importing media files through the drag and drop method, follow these steps:
Navigate to File > Import
Navigate to the folder with your video and audio files.
Select either the entire folder or individual media files you want to bring in to your project. To select multiple files, hold down Command or Control while selecting each file. To select all files within the folder, click Command + A on a Mac, or Control + A on Windows.
Click Import. It will take a few seconds to load all of the media. You should see a dialog box showing you the progress of your import.
Once the media is imported, you will see either the folders or individual media files in the Project Panel. Premiere will preserve your file structure after importing, so you will see organized folders that you can open.
To open a folder, double-click on the folder, and it will open in a different window.
By default, you will see your imported media files in list view within the Project Panel. Changing to icon view will let you have a small preview of video and image files without needing to use the Source Monitor.
To see your files as icons to see a preview of each, click on the third icon at the bottom of the Project Panel that looks like rectangle with line below it.
List View
Icon View
Within Icon View, each clip will have the title of the file in the bottom left corner and the duration of the clip in the bottom right corner.
You can preview your clips by scrubbing over them with your cursor. When you click on a clip in the Project Panel to select it, you will notice a blue bar with a gray slider appear at the bottom of the clip image. Clicking on the gray slider and dragging it across the clip allows you to preview your clip and quickly see what footage your clip contains.
Right next to the list and icon boxes, you will notice a slider with mountains next to it. This allows you to increase or decrease the size of your media display in the Project Pane. Clicking and dragging the slider will make your media files change in size in either the list or icon view.
The Source Monitor will let you preview imported media files before adding them to your Timeline. If you are working with a lot of files, this can help save some time and rid you of confusion as you work through your project.
Prior to making any basic video project edits (such as splitting clips), it will be helpful that you learn some important project organization and settings. This section will do that and also review how to navigate the Timeline more effectively so you can get started on editing your project.
Organizing your media before starting any editing within the Timeline can be super helpful if you plan to work with a lot of media files for your project. This section will cover some basic organization steps that are optional to do for any video project.
Your footage will automatically be imported with its original file name, which is often a generic number sequence. You can easily rename your footage in Premiere to facilitate the editing process.
Click once on any media file to select it.
Click once more, but this time over its current name.
Rename the file and click Enter or Return on your keyboard.
Bins are simply folders to organize your footage. If you didn't already import media within folders, you can create new bins to better organize your files.
To add a new Bin, click the folder icon in the bottom right corner of the Project Panel, next to the magnifying glass. If you do not see this icon, you may need to resize your Project Panel window by dragging the edges.
A new Bin will appear in your Project Panel with the title “Bin” highlighted so you can rename it right away. Click on the title and Rename it anything that makes sense to you and your project.
You will often have much more footage than you need imported and there will be a lot of files to sort through. Using the Search Bar to look for clips can be helpful to quickly find specific clips you need.
Near the top of the Project Panel, click in the search bar next to the small Magnifying Glass.
Type in a word or number that has been assigned to a clip as part of the name. If they are numbered, for example, search for the number of the clip you want to find, like "3".
As you type, Premiere will begin filtering through media files with that word or number.
A Sequence is a file where you will add, edit, and assemble media clips within the Timeline. A Sequence is automatically created for you using the settings of your imported media when you create a new project. It can be found within the Project Panel and is often labeled either "Sequence 01" or after the the name of the first clip that is dragged onto the Timeline. You can create more sequences, although this isn't necessary for basic projects.
TIP: If you ever "lose" your project within the Timeline, try double-clicking on a Sequence from the Project Panel to open it back up in the Timeline.
To check what your specific Sequence Settings are, go to Sequence > Sequence Settings...
From here, you can see what frame size your video has within the "Video" section, and you can adjust if necessary:
It's recommended to keep a video at a 16:9 aspect ratio if it will be landscape, or 9:16 aspect ratio if it will be vertical. Dimensions that fit this ratio and are standard for landscape videos (i.e. for YouTube uploads) include 1280x720 and 1920x1080. Note that the larger the frame size, the higher the quality and file size of the exported video.
Depending on where you want to upload your video (i.e. YouTube, Instagram, TikTok, etc.), you may need to update your video project's frame size within the Sequence Settings. Ensure you are working with an appropriate frame size BEFORE you begin editing your project on the Timeline!
Here is a good guide to start you off for social media videos: The Complete Social Media Video Sizes Cheat Sheet
If for any reason your Sequence setting do not match your media clip settings, Premiere might ask to change the Sequence Settings. Click “Change sequence settings” if you'd like for Premiere to update your sequence settings so they match your media clip settings or choose "Keep existing settings" not make any sequence settings changes.
Reminder: to add media to the Timeline so you can begin editing, either drag and drop from your Finder or File Exporer directly to the Timeline, or import media files to your Project Panel and then drag from there to the Timeline.
While you may use the buttons offered at the bottom of the Program Monitor, simply using the Spacebar to play or stop is most effective. Your project will begin playing from wherever the Blue Timeline Marker is located.
The Blue Timeline Marker indicates what part of your project (which exact frame) will be viewed on the Program Monitor. It can also serve as a great guide for cutting and zooming into specific areas of the project. You can manually move this marker wherever you want by clicking and dragging it over clips you want previewed in the Program Monitor.
Knowing how to zoom in and out of your media clips within the Timeline can be very helpful when making detailed edits, such as making cuts with the Razor Tool.
To Zoom In and Out of clips on the Timeline length-wise, drag either end of the bottom grey scrollbar in or out. You can also click on the + and - keys on your keyboard.
To Zoom In and Out of clips on the Timeline height-wise, drag either end of the side grey scrollbar up or down. You can also click on Command +/Command - keys on Mac or Control +/Control - on Windows. This is helpful when editing audio clips to see the audio levels throughout a single clip or between different clips.
Sometimes Premiere's three video and audio tracks are not enough for a project. To add more video tracks, right-click on the video track side of the Timeline and click "Add Track". Similarly, to add audio tracks, right-click on the audio track side and click "Add Track".
If you want to bring in more media, make sure to drag it to the correct Track. For example: If you try to bring in an audio file to a Video Track, it won't allow you to until you hover over an Audio Track.
The Source Monitor is great for previewing imported media before adding them to the Timeline. Additionally, the Source Monitor also lets you slice up their media clips within the Source Monitor first before using it in the Timeline (although you can also trim and cut clips directly within the Timeline).
Double click on the media file you want to trim from the Project Panel so it shows up in the Source Monitor.
Move the blue marker to where you'd like your clip selection to begin. At this timecode, mark an inpoint by pressing the “i” key on the keyboard or by pressing the inpoint button in the Source Monitor. If you mark the incorrect spot, you can redo this as many times as you need.
Move the blue marker to where you'd like your clip selection to end. At this timecode, mark an outpoint by pressing the “o” key on the keyboard or by pressing the outpoint button in the Source Monitor.If you mark the incorrect spot, you can redo this as many times as you need.
Click and drag the video from the Source Monitor into your Timeline.
Sometimes when you are working with a very long clip within the Source Monitor, it would be easier to use it in small sections. You can create subclips from an original media clip and have just that section saved within your Project Panel.
Double click on the media file you want to trim from the Project Panel so it shows up in the Source Monitor.
Mark an inpoint and outpoint as mentioned above.
Navigate to Clip > Make Subclip
In the title box, name the Subclip and click OK
The Subclip should now appear in the Project Panels, ready for you to drag onto the Timeline to use!
Now that you can import footage, navigate through the panels and create subclips, we will start looking at the more in-depth editing that can take place within the Timeline.
Does some of your media look too small or zoomed in when you view it on the Program Monitor? Sometimes we will import video files that are not the same frame size as our video project's sequence settings. Keeping the size as it shows up might be fine, but it might also be distracting for our final video and will require us to resize the clip to fit our frame.
This option offers a quick fix for video clips that may not be the same dimensions as the frame (shows up in the project monitor smaller than the frame), but have the same width to height ratio as our project's frame size.
Within the Timeline, move the Blue Marker so it is on the video clip you want to resize. This will let you preview the clip on the Program Monitor as you resize.
Right-click on the clip
From the menu, scroll down until you see "Scale to Frame Size"
Select "Scale to Frame Size" and notice how the video resizes automatically within the Program Monitor.
If you are working with a video clip that isn't the same width to height ratio as the project's frame size, you may need to resize even further beyond the Scale to Frame Size option. We can do this with the Effects Control Panel, where you can also change the position, scale, rotation, and alter any effects you may eventually choose to add to your video.
Within the Timeline, move the Blue Marker so it is on the video clip you want to resize. This will let you preview the clip on the Program Monitor as you rescale.
Click on light-colored "fx" located on the top-right corner of the video clip you want to resize. If you don't see this option, from the top menu go to Windows > Effect Controls
From the Effect Controls panel, change the blue number next to the word "Scale" to be larger than 100 to zoom in or less than 100 to zoom out. TIP: hover your curser over the blue button and use your trackpad or mouse scroll to scroll up or down to increase or decrease the number.You can also click on the word "Scale" and from the Program Monitor, adjust the size of your clip there.
The Selection Tool allow you to move around media clips within the Timeline. It also allows you to trim or expand video clips on either end as you need.
To use the Selection Tool, simply select it from the Tool Bar and click and drag on the appropriate clip.
Sometimes during the editing process, you may decide that some clips that are already in the Timeline need to be longer or shorter.
Click on a clip in the Timeline so it is highlighted.
Hover over either edge of the clip. Notice how there is a red arrow bracket; that means the clip can be shortened or elongated.
While the red arrow is visible, Click and drag the edge of the clip to the right or left.
Trimming a clip may leave a gap in your Timeline, do not forget to move the other clips accordingly or click on the empty space and click Delete or Backspace to remove it.
Be careful when making a clip longer with this method, if you overlap other clips on the timeline you will overwrite them.
During the video process some clips need to be cut because of time constraints or because they just don’t make sense for the narrative any more.
There are two main ways to delete material: a cut delete and a ripple delete. Both have benefits, and it is up to the creator to decide which to use and when.
Cut Delete: This edit cuts and leaves a blank space.
Click on a media clip.
Click the Delete key on Mac or Backspace key on Windows.
This edit does not leave a blank space, but rather it puts to two closest clips together.
Choose a clip in the middle of two other clips.
Click Option + Delete on Mac or Alt + Backspace on Windows.
While creating videos, there may be times when you want to cut out a section of a clip within the Timeline. The Razor Tool will let you do just that!
You can use the Razor tool to cut up a clip, essentially making it two new clips. Once we do that, we can move the clips around in the Timeline to fit our needs.
To use the Razor Tool, select it from the Tool Bar and hover over a clip on your timeline. You should see a red line appear. Once you have found the moment you want to split the clip at, click on the red line. This splits the clip in two.
In Premiere, you can speed up or slow down the motion of a clip.
Select a clip in your Timeline.
Right-click on it and select the Speed/Duration option. A dialog box will appear for you to modify the speed settings of that particular clip.
In the Speed section, change the speed to either a percentage or specific duration.
Select “Maintain Audio Pitch” if you do not distort the sound of your clip.
Select OK. Now you can play your clip in the timeline and see/hear the difference in speed.
Videos with audio are automatically linked when brought into the Timeline. This means that any trimming or cuts meant for one affects the other. Unlinking allows for audio or video to be deleted in order to replace it with other video or audio, such as background music.
Right click on the a track and select Unlink from the menu that pops up.
Delete or move either the video or audio clip as needed for your project.
Feel free to bring in other video or audio to suppliment the deleted or moved clips.
Your timeline would end up looking something like this.
Adjusting audio within the Timeline is the most straightforward approach. This allows us to change the overall volume of each clip.
Within the Audio Track, expand the track height-wise by tugging on either end of the the side grey bar until you see a white line in the middle of the audio clip.
Drag the middle white line up or down to increase or decrease the overall audio levels of the clip.
While the clip is playing you can move the white line up and down to make the best audio levels decisions.
For more detailed audio level editing we can utilize the Effects Control tab within the Source Monitor. This allows for precise decibel control and several points of audio changes within a single clip.
Double click on the audio clip in the Timeline to view it in the Source Panel.
Click on Effect Controls within the Source Monitor.
Under Audio, navigate to Volume
Make sure to click the stopwatch next to Level to turn keyframes off, in order to raise the whole level of the track. Otherwise, if your Timeline Marker is anywhere but the beginning, a keyframe will be established and your audio will only be at that volume at that point.
Change the decibel level by either entering a number or dragging over the current number from side to side to increase or decrease the current number.
Throughout the filmmaking process there are times where you would like text to come up on the screen. You may want to have credits to showcase the talent in your film, or you would like an opening title. In Premiere Pro you can do all of these things with titles. Titles can be over a black screen or you can put them over video footage.
The Type Tool allows you to quickly create different still titles within your project.
To use the Type Tool, first move the Timeline Tracker to the frame you'd like to add a title to. Select the Type Tool from the Tool Bar, and create a textbox across the frame within the Program Monitor.
After creating a title, make sure to consider the following:
After you've created your title, you will see that a new clip has been created within the Timeline in the Track above your video clip. With the Selection Tool you can shorten or extend the length of this title clip and move it to other parts of your project if needed.
To move your title within the frame of your video, make sure to use the Selection Tool. If you try to move the title within the frame with the Type Tool, you'll just keep making more titles.
To change the size, font, color and alignment, you will need to open the Essential Graphics panel. This panel provides pre-made titles that you can drag and drop into your project, as well as a place to edit existing titles.
Click on the Graphics Workspace option from the top of the interface to reveal the Essential Graphics panel. You can also go to Window > Essential Graphics to open it.
From the top of the Essential Graphics panel, click on Edit
Change any settings as you find necessary. To get a better idea as to what each option edits, simply hover over any of the buttons to reveal their names.
There are many ways you can edit your title, but the most popular can be found under the Align and Transform, Text and Appearance sections. Many of these options should look familiar if you've worked with other Adobe products, Google docs, or Microsoft Word.
If you notice that even though you are making changes within the Essential Graphics panel, but aren't seeing the changes being applied to your title, you may not be on the correct tool.
Make sure you are on the Selection Tool before making any edits. If you are on the Type Tool and accidently double-clicked on the Title to edit the text, you will need to highlight the entire text before any changes can be made.
From the Timeline, hover over the audio clip you want to fade in or out until you see two grey squares appear on both corners of the clip.
Click and drag on one of the grey squares
Play your project and adjust as needed
Adding a Video Transition at the beginning or end of your project, or between clips in the middle of your project can make it feel more dynamic and professional.
Click on the Effects tab within the Project Pane. If you can't see it, click on the double arrow from the top of the panel to reveal more options, and click Effects.
Navigate to the Video Transitions folder and click on the arrow on the left to expand it.
You should now see more subfolders for each general Transition. Expand one that interests you.
While Premiere offers many different options for transitions, it's always best to keep Transitions simple. Unless you are looking to resemble an early 90s aesthetic or add some comedy to your project, stick to Transitions found within the Dissolve subfolder.
Click and drag a Transition of your choice to the either the beginning or end of any clip, or between two clips on your Timeline. You may need to zoom into your clip if it doesn't allow you to add the Transition.
Once zoomed into your applied Transition, you can increase or decrease it's length of time within the clip by dragging an edge of the box it created.
It is extremely important that you save your work as you are working on your Premiere project! In case your computer crashes or runs out of battery, saving will let you be able to reopen your project later to continue working on it. To save, simply hit Command S or Control S on your keyboard. Otherwise, you can also go to the menu at the top and select File > Save.
It's important to note that saving your project will only allow you to reopen within Premiere on your current computer and it will have the file extension of .prproj. This file should not be used to share with others, especially if they do not have access to Premiere or the original media files used.
To create a shareable file that can be accessed by others or uploaded to the internet, see below in the Exporting section.
If you know you will be editing your project from multiple computers, it's best to store all of your media and Premiere project within one folder, and to move that entire folder (via an external hard drive or a cloud storage service) to your new computer so that the media can be located. If any original media cannot be located, you will see "Offline Media" messages within your Timeline, which will require you to manually link the missing files. To ensure you have all your media files in one folder before you switch computers, see the "Packaging" section below.
Now that we are all finished with our project, it is time to render and export our video!
Click once on the Timeline.
Go to Sequence > Render In to Out and then Sequence > Render Effects. Rendering ensures that all components of your project will be included in the exporting process.
Depending on your project length and number of effects, the rendering process may take a while! DO NOT wait until the very last minute to render and export your project.
Navigate to File > Export > Media... You will be greeted with an exporting dialog box. For the most part, you won’t need to change a lot.
Under the Format section, change it to whatever your project instructions tells you. If no specific guidance is provided, H.264 or Quicktime are always great options for a high quality video that isn't too large of a file size. H.264 creates a .mp4 file, while Quicktime creates a .mov file.
Under the Output Name section, click on the blue clip name to rename your project and choose the saving location. A “Save As” dialog box will appear.
Rename your project to an appropriate title and confirm that it is saving to the correct folder location.
Unless your project guidelines state otherwise, you should keep the rest of the settings as they are for a basic project. But always confirm with your instructor if there are other settings you should change.
Click Export. Congratulations! You now have a completed Premiere Pro movie project.
If you plan to work on your Premiere project from more than one computer and you don't have an External Hard Drive, it will be a good idea to create one folder with your premiere project file and all of the video and audio files so you can upload it to Google Drive or another cloud-based service. You will then be able to download this folder to your new work station and continue with you project with no worries of missing files. Luckily, Premiere let's you do this relatevely simply:
Go to File > Project Manager.... A dialog box will appear, giving you some options for packaging your project.
Under Resulting Project, select “Collect Files and Copy to New Location”.
Under Options uncheck “Exclude Unused Clips” as we want all our footage to transfer to this location. Keep "Include Audio Conform Files", "Include Preview Files", and "Rename Media Files to Match Clip Names" selected.
Under Destination Path, click Browse... and choose a location that makes sense to you and can locate later.
When you have changed these settings, click OK.
Navigate to the location on your computer you selected and you will see a folder titled after your project. Here you will see your project, along with all the footage. This folder can now be transferred or copied to another location.
As mentioned before, your media needs to stay in the same location in order for Premiere Pro to be able to find and work with it after importing. If you open your project and are greeted by the message below, your current computer needs help locating the media files you used in your original project. Once you can locate that media, your project should be the same as the last time you saved it.
Create or find a folder and place your Premiere Project and all of your media files (video and audio). Make sure this folder is named or renamed to something related to your project.
In Premiere Pro, within the "Link Media" message showcased above, select one media clip. If you closed out of this pop-up, select all of your media from your Timeline, right-click, and select "Link Media".
Make sure that "Align Timecode", "Relink others automatically", "Use Media Browser to locate files" and "Preserve interpret footage settings" are all selected.
Click Locate and find the clip from the folder you saved it in earlier and select OK.
Because "Relink others automatically" was checked, Premiere Pro will automatically reconnect all of the clips that were within the Link Media pop-up.
In this section, we will go over a few more advanced editing techniques.
Preferences allow you to change specific setting in Premiere Pro. Usually, the default settings will be sufficient, but it is good to know what they are.
Select the Premiere menu.
Premiere Pro > Preferences > General...
A Preferences window will appear with the general settings. One important setting to note right away is the Auto Save. You can set the automatic save to whatever duration you would like. This can be very helpful if you are someone who forgets to save often.
Select Auto Save in the left side of the Preferences Window.
The default setting is every 15 minutes. You can change this setting a different amount of time, just make sure Automatically Save Projects is checked.
Click OK to close the Preferences Window and save your changes.
Creating additional Sequences for a project can be helpful for larger projects that need more organization. For example, if you are creating a documentary, it might be helpful to create a Sequence for each day's footage and bring in those sequences to organize your final draft rather than have one file with hundreds of clips that may make organizing a bit more complex.
Navigate to File > New > Sequence. A box should appear.
Name your new sequence something that makes sense to you and your project. If you know you have specific settings for your video, you can select them here. However, Premiere Pro is smart enough to automatically tailor its Sequence settings to the settings of your video clips and photos.
Accept the choices and click OK.
We can create notes within our project's Timeline called markers. In Premiere we can create these markers at a set timecode. This is helpful for organization and for when you are cutting together footage. This can be a marker for the sequence or a specific clip. To make it a clip marker remember to select the clip before pressing "m".
Navigate to a point in the clip you would like to create a comment marker. Click on the clip.
Click the wrench in the upper left hand toolbar and make sure that Show Clip Markers is checked.
Press M on your keyboard.
In the dialog box called Comments you can add notes to yourself about this part of the project. Notice how the time of the marker is noted.
Adding clips into the middle of Timeline video sequence can get tedious if you can only click and drag the clips to move them, so data isn’t lost. This is another way to move material from the Source Monitor to the Timeline. This type of insertion is non-destructive; it will just move all the clips over from where the clip is inserted.
Choose a clip to bring into Source Monitor.
Mark an inpoint and outpoint.
Make sure the blue scrubber is at the point in the sequence where you want to insert the clip.
Click the Insert Clip button in the Source Panel.
A roll edit can be used to lengthen one clip and shorten another so that they don’t add or take away length to a video project, or to be about the same or exactly the same amount of time.
Bring a clip into the Source Panel, make in and out points.
Bring it into the Timeline.
Do the same with another clip.
Click onto the Rolling edit tool, the fourth one down from the top of the toolbar or press “N” on the keyboard.
Make the second clip long and the first clip shorter by pulling left with the roll edit, or pull right to do the opposite.
Let’s say that you have two clips with a big gap between them where there is no action, about 5 seconds or so. You could shorten the clips and then move all the footage over, or you could perform a ripple edit. This editing tool moves an edit point, causing the rest of the timeline to move the same amount to compensate. That way there are no gaps, and all your footage is moved over with the edit.
Navigate in your Timeline to a smaller clip that you know has more footage than is being shown in the Timeline.
Click the Ripple Edit tool in the toolbar, the icon third down, or press “B” on the keyboard. Hover over the end of a clip and notice how the arrow is now yellow instead of red.
Move a clip’s endpoint out so it is longer; notice how the timeline adjusts to the edit.
Sometimes during video editing, the timing is right, but the in and outpoints of a clip are wrong. In this situation the slip tool is the best edit to use. This keeps the exact timing that you have in the Timeline, but plays with the in and outpoints of the video.
Zoom into the beginning montage by using the “+” key.
Select one of the clips to play with the in and outpoints.
Click onto the Slip tool in the toolbar, the 7th icon down from the top, or press “Y” on the keyboard.
Click on the part you have selected and move the tool right and left. See the in and outpoints changing? Once you feel like you have a good clip, let go of the mouse.
There might be times when you have three clips together, and you really like the middle clip, but you wish that it happened sooner. You could delete everything and move it, or you could use the slide tool so you do not create a gap in either direction of the middle clip.
Click onto the Slide tool, the icon 8th down on the toolbar or press “U” on the keyboard.
Click onto the clip you would like to stay the same. You can move it either way. Notice how the clips around adjust so it is the same timing.
Underlying the basic animation and effect functionalities of Premiere are keyframes. A keyframe marks the point in time where you specify a property, such as position, opacity, or audio volume. To create a change in a property over time, you set at least two keyframes—one keyframe for the value at the beginning of the change, and another keyframe for the value at the end of the change. Premiere then reads these marks and changes the clip’s properties over the time period that you have marked.
We can add and edit keyframes within the Effect Controls. The Effect Controls panel displays all effect properties, keyframes, and interpolation methods at once.
Within the Timeline, move the Blue Marker so it is on the video clip you want to resize. This will let you preview the clip on the Program Monitor as you add keyframes.
Click on light-colored "fx" located on the top-right corner of the video clip you want to add keyframes to. If you don't see this option, from the top menu go to Windows > Effect Controls
From the Effect Controls Panel (NOT the Timeline), move the Blue Marker to where you want the first keyframe to be.
Change the numbers next to the property to whatever settings you'd like your first keyframe to hold.
Click on the stopwatch icon next to the property you'd like to add keyframes to (i.e. Position, Scale, Opacity, any effects you added, etc.)
From the Effect Controls Panel (NOT the Timeline), move the Blue Marker to where you want the next keyframe to be.
Change the numbers next to the property to whatever settings you'd like your next keyframe to hold. The moment you change the numbers, a new keyframe will be applied.
Playback your clip to see how the keyframes interact with one another.
Premiere offers effects to improve the look of some clips. Below are the steps you would take to apply and edit any effect you apply to your media clips, using Color Correct as an example.
Select the Effects tab in your Project Panel. You will see many different options for Effects. You can click on any of the arrows to the left of the effect headings and see many more options.
Click on the dropdown arrow in the Video Effects heading.
Select Color Correction and you will see multiple options underneath this option as well.
Select the Fast Color Corrector and drag and drop this effect onto the clip you want it to apply to.
Open the the Effect Controls Panel.
Select the clip you want to edit in the Timeline and make sure that the cursor is over that clip. You will see a window where you can edit the colors of your clip. There will be a big color wheel and many other editing options. The Color Corrector can be used to fix color balance and exposure. We recommend playing around with these options to see how the color and exposure changes in your clip. You will see these changes in the Program Monitor as you adjust them.